Gundula's Balkan travels from Summer 2016 to Summer 2018, including several visits of research and private nature, exciting music discoveries, encounters with very special people, also a little visit to Kosovo, a coffee in Istanbul...
Showing posts with label Romani Gypsy Music. Show all posts
Showing posts with label Romani Gypsy Music. Show all posts
We arrived in Topana only 30
minutes delayed, but rather than the full orchestra waiting for us, there were
only Asan and his friend Ali, who kept telling us they would arrive any
moment.
So we waited and
waited, and Ali felt more and more uncomfortable, until they admitted that the
band was actually on a gig. What a weird way of dealing with people, we
thought, why pretend, when we would find out a little later anyway? More and
more I experience that there is a huge cultural behavior pattern going on,
which is quite contrary to my 'German' straight forward way of being. One
really has to look behind the scenes and let go of the 'matter-of-fact' being,
release into a world of stories and float with it.
I think Asan really just
wanted our company, but I had enough, and so we prepared to leave...
Now the funniest thing occurred: Asan begged us to wait just
for 10 more minutes, and left 20 min later he did return, and with him a whole
Balkan brass band ! What an extraordinary thing. Some of the members were very
young, maybe 14-16 years old, and felt rather awkward in this situation, having
to play for and with this strange foreign lady who for some reason knew their
music.
We had a great jam in every way. The energy which vibrated from this
really tight rhythm section was extraordinary, I don’t think I ever played in
such a powerful environment. Not that they knew the pieces, but they made it up
as they went along.
For one piece, which I really like, I could not handle the
often wrong chords anymore, and they would not hold any of the breaks which
made this piece so strong. So I interrupted the whole thing vehemently and taught
them the right chords and breaks. This was quite a funny situation, me sitting
in the middle of a Romany settlement with a borrowed brass band, teaching them
one of their own pieces, but it changed the dynamics, and afterwards the
youngest weren’t feeling so awkward anymore.
The leader of that group then invited me then to play with
their band, of course in such a way so Asan would not hear – great, now I could
be member of three Balkan Brass Orchestars in Macedonia. I felt like a trophy
which they all wanted to own for themselves. Well, I did decline politely, as I
did not want to be the cause of a Balkan brass battle.
Gosia eventually did some dancing as well, and after we have
been playing rather chaotically through all pieces which I had learned on my
last visit, and Asan found no means to hold us there any longer, we departed
and were chauffeured to the centre. Over several glasses of rakja, Gosia and me
reflected on all those weird and wonderful events of the day.
This was Gosia’s first day in Skopje. We did not know yet,
that our planned light day of sightseeing would end up being an intense
encounter with Romani culture which was shocking and wonderful in the same
time.
I thought I could use those tourist activities to catch up
on a bit of history and general knowledge of Macedonia, as somehow during my
stays here I always was dragged into other directions. Together we visited the
sights, reading all the information exhibited on boards throughout. We also explored
this whole business of the colour stains on Skopje’s monuments. It was named
the ‘colour protest’, led by a group of free-minded Skopians. They expressed
their unhappiness with the governmental issues in this peaceful action by
throwing colourful paint onto those grand white brand-new monuments. I love the
idea of it, but I would have preferred to see the whole thing delivered with
some more artistic finesse.
From the centre, we made our way through the old town
towards the bazar, checking out traditional shops and all the
Turkish-influences fashion shops which displayed highly exuberant dresses.
From the centre, we made our way through the old town
towards the bazar, checking out traditional shops, weird articles and all the
Turkish-influences fashion shops which displayed highly exuberant dresses.
Finally we took the bus to Šuto Orizari, the Romani
settlement outside Skopje. I felt very excited going to the market again, and
strolling through the roads and alleyways. I had gotten in touch with Asan, as
a spontaneous meeting close to where he lives seemed the most likely way to
actually manage to meet him.
It was soooo hot, we were sneaking from shadow to shadow. Unfortunately
the market was already packing up, so we started strolling off the tack into
residential territory, into sections where I had not been before. In this
settlement, one can discover so much creativity and imagination in and around
the houses, it’s wonderful. We did chat to some of the proud home owners, who
are always very happy to show you around and show off.
Later we had an ice coffee in a bar, a very sweet concoction
of Nescafe, sugar, ice cubes and cream, and what miracle, Asan turned up. He
was very concerned about meeting and rehearsing for the upcoming TV recording
for Shutel, the local Romani television station. He had brought along his
friend Ali, also a trumpet player; together we went then to the house of a
relative to get rehearsals and TV sessions arranged.
I have been to a lot of Romani houses by now, and it does
not matter in which country, and if rich or poor, they were all immaculately
clean and tidy. You might find rubbish outside the house, but cleanliness
inside is a strong part of their lore, which seem to have carried through even
in the most modern Romani families. This house was different, really dirty and
scattered. Anyway, were still welcomed like honoured visitors, and offered coke
in semi-clean glasses.
As usual, when word goes round of special guests, several friends
and family members pop round to pay their respect and also to spy on the
newcomers. This way, we were introduced to a number of people, of course the
crème-de-la-crème of Šutka.
There was Elvis Pressley, who runs hotels abroad, and we met Lenzo, the Mafioso
(we were warned afterwards by Asan), who owns a taxi firm in Stuttgart/Germany,
and sings on the weekends in a slightly dubious Turkish night cub. I do not
think many people can say of themselves to have met Elvis and a Mafioso in
their life, and specially not in one day !
At one point a young man arrived, with a slightly strange
air about him. Gosia identified him as gay, and we were wondering, if this was
known to the family and community. He was asked to dance for us, as his Čoček dancing was
apparently extraordinary. And it certainly was, after wrapping a jingly coin
scarf around his hips, we were offered snippets of a rather feminine belly dance.
They didn’t allow us to take pix, they were concerned there
would be bad gossip and discrimination amongst the community, if those images
would be seen. For me, the fascinating thing was, here was a young man, who was
everything which Roma people usually would shun and cast out. This young man
however was in a weird way integrated in his community. I do not know, and
could of course not ask, if they were aware he was homosexual, or if he was to
them just a weird person, a kind of female man; whichever their answer would
have been, in his difference he was accepted by others, he later helped other
lads to repair some items on the next-door house.
For us, however, the dance performance was not finished yet.
We were invited inside the house, so the dancer could perform properly for us,
without any fear of being gossiped about. He would veil himself, and we were
urged to film it.
What we witnessed then equally amazed and shocked us. I
shall share with you here the starting scenes, before his dancing moves, urged
by the grandmother of the house (who was to everyone’s shock only one year
older than me!), took on rather too many erotic elements for my taste. The whole
family, including small children, were there, seemingly feeling at
ease, and I think the only two people feeling rather uncomfortable and
overwhelmed with the situation were Gosia and me. It appears that for them the
open display of so much erotic seems an ordinary thing.
Afterwards it became even more uncomfortable, as they asked
Gosia to dance for them. In a normal situation, this would have been the right
thing to do, to offer something back for this stunning performance which we
just had been offered. Of course Gosia could not have danced now in this space
which still vibrated from the guy’s energy, but her sweet and polite ‘no’ was
not accepted. I had to step fully into a ‘mature grand-mother-figure’ position of
authority to firmly establish that in our culture it would not be proper for a young lady like Gosia to dance in shorts. Tomorrow she would wear her skirt, and
then provide a dance performance for them. We had been told we would return
tomorrow there for a rehearsal.
The final act of the day should have been the visit to Šutel TV, the Romani television station of Skopje. It was of course
was closed, and nobody had any idea about our appearance anyway; as I
had already strongly suspected the whole action was part of Asan’s wishful
thinking, wanting impress us and in the same time showing us off like his
trophies to gain more recognition in their society. We agreed on meeting the
next evening for a rehearsal, as Gosia and me had planned to visit the beautiful Lake
Matka outside Skopje on the next day.
What a surprise, Asan tried to get in touch, mostly via my
friend Miki, but at least he tried. After learning I had been to Kočani he was
really worried, that I had shared any of the tunes he taught me with the Romani musicians
from there. It is odd, not to say actually a bit depressing how
competitive and destructive they are against each other. Both are excellent
trumpeters from Romani communities, both had told me independently I should
stay away from the other as I would not be taught correctly, and that the other is no good in the first place…
Anyway, I took it easy that day. Some practice in the
morning, then I packed my bag heading to the big central park for a relaxing
session of reading and writing, and some walk along the Vardar river.
Later, I was joined by Miki, and after my report from Kočani,
he talked me into joining him playing Beach Volley Ball. Have I ever played Volley
Ball? Once around 35 years ago at school, which was a kind of musical grammar
school. Therefore we musicians were told to stay away from such for our fingers
dangerous activities… I realized I had missed great fun in my young days…
Next day, my friend Gosia from Poland was due to arrive. She
had short notice asked to join me, as she has been let down by her Balkan
travel companion.
Before picking her up from the Central Bus Station, I
visited my friends busking. We did have chats about musicianship in London and
in Skopje, and realized that payments and fees for musicians are in relation to
living costs are much higher in Skopje. Also, with busking and playing some
private events and little gigs, one could make a better living than from some
professional employment here in Skopje.
The evening ended with a girl’s dinner, where my friend
Bojana joined us. We exchanged lots of stories from the last few months, of
course we chat about the current frustrations living in Macedonia; the
experiences of working with various Romani musicians was a very valuable
conversation, as it helped me to understand Asan’s weird behaviour…
After
a visit to my little sister+
family, I was travelling from Munich to Skopje, via Ljubljana, where I sniffed
already some semi-Balkan air. I did arrive at Skopje feeling some hesitation,
as I had not managed in the to reach Asan, my main musical contact and
collaborator. I only had learned, that most of my acquaintances from the Roma
community were actually not around, even though they know I would come and we
had agreed to work together. Well,
I was about to learn lots of Romani behaviour patterns and mentality - lets
keep an open mind, and dive into the learning curve…
I
first went to my accommodation, a strange little room in a so-called hostel
towards Mount Vodno up the hill - in clean air. I was so happy that one of the
non-Roma friends I made last time had arranged spontaneously to meet in the
evening, so I did not have a lonely evening ahead.
As soon as
all practicalities with my accommodation were sorted, I went to the centre, to
sniff Skopje air. Luckily I had discovered that one can download google map
areas to the phone and use them when off-line – this should keep my
getting-lost to a minimum.
When I
arrived at the Ploštad Makedonija, I was greeted by, for Skopje, rather alien
sounds. A large group of Buddhist people went walking around the square,
dressed-up, singing, dancing, and giving a pretty contrasting vibe to all those
overly-sized statues and Vienna-imitation-type of buildings.
A
while later, my friend Miki came; he felt like crying, when he absorbed the
energy of the Buddhist performance, as he was so touched by the love and
positive energy it vibrated. For the next three hours I learned all about the difficulties
regarding the Macedonian government and how the once special energy which had
surrounded Skopje in the past was getting more and more lost, being replaced by
questionable buildings and self-centred people.